The Garden and the Scene of Power
Identifieur interne : 000A76 ( Main/Exploration ); précédent : 000A75; suivant : 000A77The Garden and the Scene of Power
Auteurs : Laura Verdi [Italie]Source :
- Space & Culture [ 1206-3312 ] ; 2004-11.
English descriptors
- Teeft :
- Absolute power, Aesthetic function, Aesthetic representation, Arcana imperii, Attivit, Baroque gardens, Beni, Biagio rossetti, Bologna, Christian paradise, Citra limitem, City center, City life, City walls, Collective memory, Conclusus, Court garden, Culturali, Difficult task, Divine wrath, Dizionario enciclopedico treccani, Duisburg nord, Electa, Ernout meillet, Free time, Global city, Good manners, Highest expression, Hortus, Hortus conclusus, Hybris, Industrial revolution, Invisible power, Italian translation, Italic pagus, Labyrinth, Laura verdi, Martin knoller, Middle ages, Milan, Milana, Ministero, Mulino, Multifunctional places, Original work, Other hand, Padua, Photoservice, Photoservice electa, Political science, Princeton university press, Publicum europaeum, Royal gardens, Royal villa, Sacro bosco, Same time, Santarcangeli, Social utility, Symbolic function, Troiae lusus, Turf mazes, Turin, Ultra limen, Utility function, Visible power.
Abstract
Here, the author is dealing with the dual valence of social and aesthetic representations of a symbolic place, the garden, and of its links with collective memory. She will approach the argument from a variety of perspectives that can be summarized as follows: (a) the social and aesthetic representation of the sacred (paradise) in the hortus conclusus —the “geometrization” of space begins with the stability of the Italic pagus; (b) the labyrinth, the social and aesthetic representation of the garden as exorcism, which opposes the hybris of power; (c) the social and aesthetic representation of power in royal gardens (profane); (d) the social and aesthetic representation of collective memory in cemeteries—these are a specific model of hortus conclusus, entrusted with collective memories; and (e) the new stimulus to collective memory by the restoration of former industrial areas (creation of garden-paradises). Today, these areas are the new horti conclusi of collective memory.
Url:
DOI: 10.1177/1206331204266194
Affiliations:
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She will approach the argument from a variety of perspectives that can be summarized as follows: (a) the social and aesthetic representation of the sacred (paradise) in the hortus conclusus —the “geometrization” of space begins with the stability of the Italic pagus; (b) the labyrinth, the social and aesthetic representation of the garden as exorcism, which opposes the hybris of power; (c) the social and aesthetic representation of power in royal gardens (profane); (d) the social and aesthetic representation of collective memory in cemeteries—these are a specific model of hortus conclusus, entrusted with collective memories; and (e) the new stimulus to collective memory by the restoration of former industrial areas (creation of garden-paradises). Today, these areas are the new horti conclusi of collective memory.</div></front></TEI><affiliations><list><country><li>Italie</li></country></list><tree><country name="Italie"><noRegion><name sortKey="Verdi, Laura" sort="Verdi, Laura" uniqKey="Verdi L" first="Laura" last="Verdi">Laura Verdi</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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